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Inspire

Dying as Spiritual Awakening: Lessons from a 1976 Retreat Talk

Be Here Now Network
Be Here Now Network
Oct 6, 2026
10 min read
Watch · 6

A guru laughs when he hears that an old devotee has died. A dying man is told that a banana will not be enough to save him. A young seeker writes to his mother from a cabin in Arizona, saying he is going to be with Christ. These are the stories that carry a 1976 retreat talk by Ram Dass, released by the Be Here Now Network as Here and Now Podcast Episode 314 under the title "an exercise in spiritual awakening." Recorded on June 17, 1976, the talk does not treat death as a catastrophe to be managed or a subject to be whispered about. It treats dying as one more vehicle for the same work every spiritual path asks of us: becoming more conscious, more present, less captured by the drama of the body and the ego. What follows walks through the talk's central stories and the ideas Ram Dass builds from them, so the perspective can be understood on its own terms.

Read · 7 sections

What happens when the guru says "I won't come"?

The talk opens with one of Ram Dass's favorite kinds of material: a story about his guru, Maharaj-ji, who is known in these accounts for seeing things before anyone else does. In the telling, Maharaj-ji is sitting with a group when a man comes running to the gate, excited and out of breath. Before the man can speak, Maharaj-ji calls out that he knows why the man has come. The man's employer, a wealthy devotee, has just suffered a heart attack, and the doctor has said he is near death. The man wants Maharaj-ji to come to the bedside.

Maharaj-ji refuses. Tell him, he says, that I won't come. The man pleads, certain that the guru's presence would make things all right. Then Maharaj-ji hands him a banana and tells him to give it to the dying man, and the story turns on that line. The messenger rushes back, mashes the fruit, and pushes it between the man's lips. He eats the whole thing and dies. Ram Dass pauses to note that he had left out the guru's exact words, which were that the banana would make him all right. "Okay," he says, "which he was."

The joke is the teaching. Everyone in the room, including the messenger, is reading the situation as a question of rescue, of whether the body can be kept going. Maharaj-ji is reading it as a question of whether the man's passage is complete. Ram Dass does not explain the story away. He leaves the listener in the uncomfortable gap between what the people around the bed wanted and what was actually happening.

Why would a guru laugh at a death?

A second story sharpens the point. Maharaj-ji is walking with a devotee when he suddenly looks up and says that an old woman in a village many miles away has just died. He laughs, and keeps laughing. A man who had been with Maharaj-ji for roughly forty years is appalled and calls him a butcher. What, he asks, is there to laugh at if she has just died?

"What would you like me to do? Make believe I'm one of the puppets? ... Do you really want me to get lost into the drama? Is that what you want? You want me to play?"
— Maharaj-ji, as recounted by Ram Dass in Here and Now Ep. 314 (approx. 4:50)

That answer reframes the whole question. Grief, in this telling, is one way of getting swept into the drama of the world. Maharaj-ji's laughter is not indifference. It is a refusal to pretend that the play of forms is more solid than it is, a refusal to perform a sorrow that would bind him to the appearance of things. The talk keeps returning to this idea that our plane of reality looks more real to us than it is, and that dying is a passage between planes rather than the end of the story. Early in the episode Ram Dass puts it plainly: it is "just moving from one dream plane to another."

Can a dying student be a sign of enlightenment or of danger?

The most startling story in the talk concerns a young student Ram Dass calls Tony. He was gifted, he was devoted, and he had learned the practices faster than his teacher had. Then he went into a cave in Arizona, took LSD, grew paranoid about something in his relationships, and did an intense session of pranayama in his cabin. He burst blood vessels in his heart and died. Ram Dass found the scene with blood on the wall, and at first he could only see it as what he called suicide, an ego trip that had gone wrong.

The story changes when Tony's mother comes to Ram Dass with her son's diary. In a last letter written before the final breathing session, Tony had written to her that though he was leaving her in the body, he would not leave her. "I am now with Christ," he wrote. "Christ is here with me." The mother was shaken, but she believed her son had entered a state of samadhi, and she asked Ram Dass to put the question to Maharaj-ji when he traveled to India. Ram Dass brought a photograph. Maharaj-ji looked at it and said that the young man had left his body, that he had taken the medicine, and then said the thing Ram Dass did not expect: that he had finished his work, that he was with Christ, and that his mother should not worry, because he was always with her.

Ram Dass does not ask the listener to sort the drug, the risk, and the grace into a neat moral. The talk holds all three at once. What it insists on is that the outer account of a death, what a body did and what it looked like from the doorway, may tell us very little about the inner completion of the one who died.

What does Varanasi reveal about how people face death?

The talk's most vivid passage moves to Varanasi, the city on the Ganges that Ram Dass describes as a place where the dying come on purpose. He recalls streets full of people who are little more than skin and bones, many of them lepers or visibly sick, sitting in rows with begging bowls near the burning ghats. Most have tucked a few rupees into their loincloth, enough for the wood for their own funeral fire. At the river's edge, a platform has held continuous fire for thousands of years, and the remains are given to the Ganges.

When Ram Dass first arrived, he was overwhelmed by pity for these people. Then he realized that they were looking back at him with pity. He was healthy and wealthy, and he could not bear what he felt in their presence. "They were so right here that I couldn't handle their right hereness," he says. He went back to his hotel and hid, and he was high on drugs at the time, which he acknowledges may have added to the paranoia. Later, after time in the temple, he came to understand what that pity was about. He had been "roaming around the world lost in samsara," while these people had spent their whole lives preparing for the moment of death, and they were clear.

This is the heart of the talk's argument about preparation. The people who are most at ease with death are not those who have avoided it. They are those who have practiced letting go while the body still functions, so that when the moment comes, it is simply the next thing.

Why is dying an exercise, the same as chanting?

Ram Dass draws the threads together in a passage the channel has pulled out as a key quote. He is careful about how he frames it. Dying is not elevated into something separate and terrifying. It is placed alongside the practices of the spiritual path:

"Everybody's in the process of going to God, and dying's merely one of the vehicles of doing it. Just as chanting is, and chanting is no bigger deal than dying is. These are all exercises for becoming more conscious. And I think that's important in thinking about dying to put it into the perspective of spiritual work. Not to elevate it so much into dying, but to see it as an exercise in spiritual awakening."
— Ram Dass, Here and Now Podcast Ep. 314 (Be Here Now Network description)

The comparison to chanting is worth taking seriously. A devotional practitioner knows that the mantra is not the point of its own sound, and that a session of chanting is valuable because it trains attention to dissolve into something larger. Dying, in this framing, is the same kind of training, and perhaps the most intense one available. The talk also suggests that the approach of death can be "a profound condition for spiritual work," a phrase Ram Dass uses near the start, and that the question for anyone sitting with a dying person is less about how to save the body and more about how to help the person see clearly.

Ram Dass also speaks of his mother's death and a rose that appeared at her funeral, and he imagines building a large center where people could come to leave their bodies with support and attention. The description of the episode notes that he draws on his old friend Aldous Huxley's novel Island for a view of how karma shapes the dying process. The sense throughout is that dying is not a mysterious exception to ordinary life but a clearer view of it.

Why does this 1976 talk still matter now?

Ram Dass says in the episode that dying is one of the things everyone will eventually do, and that we are so afraid to talk about it. Fifty years on, that remains true. What makes this talk useful is that it does not offer comfort through denial, and it does not offer horror through gloom. It offers a third stance: that the dying process is a chance to practice the same non-attachment, presence, and awareness that a chant or a meditation cultivates, and that the people who meet it best are the ones who have been rehearsing all along.

For a reader who has never heard Ram Dass speak, the value of this episode lies in its stories. Maharaj-ji's banana, his laughter, the diary of a young man who believed he had gone to Christ, and the eyes of the people on the Varanasi ghats are not illustrations of a doctrine. They are the doctrine, told by someone who spent decades trying to understand what they meant.

Where to go from here

If this talk stirs something, start by listening to the full episode, which is about forty-one minutes long and recorded at a retreat in 1976. Notice where your own reactions arise: the impulse to rescue, the urge to laugh or to look away, the quiet discomfort when a story does not resolve the way you expected. Those reactions are the material the talk is asking you to work with.

The Be Here Now Network has also announced a free fall immersion, Gather Around the Fire: Stories of Ram Dass, Maharaj-ji, and a Legacy of Love, which it describes as a four-week gathering of stories and community. Details are at Ramdas.org/fire, as stated in the episode's description. And if you want to go deeper into the practice Ram Dass points toward, the simplest next step is to take up a regular contemplative practice, whether chanting, breath, or silent sitting, and to notice how the same qualities of attention that help in an ordinary hour might matter most at the end of a life.

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Transcript

[0:04] Now whether or not that the trauma of

[0:08] the loss of a guru

[0:11] caused that person to hallucinate or

[0:13] whether they went [music] into a plane

[0:15] of consciousness where they saw how it

[0:17] is. From where I'm sitting I suspect it

[0:20] was the latter.

[0:22] [music] I think we tend to get very

[0:24] caught in our

[0:29] our um egocentric predicament [music]

[0:32] about our plane of reality as being more

[0:36] real than [music] it appears to be.

[0:37] Finally, it's just moving from one dream

[0:40] plane to another. [music]

[0:43] But it's very clear that the moments the

[0:47] approach of death

[0:50] can be a profound

[0:55] condition [music] for spiritual work.

[1:03] Welcome to here and now with Ramdos.

[1:06] This is episode 314,

[1:09] an exercise in spiritual awakening. This

[1:13] was recorded at a retreat on June 17th

[1:16] in 1976.

[1:18] So relative early days and Ramdas is

[1:21] telling us stories something he does so

[1:24] well. There's stories about his beloved

[1:26] guru Maharaji about his encounters with

[1:30] people facing death. And there's some

[1:33] brilliant wisdom in here from his old

[1:34] friend Aldis Huxley

[1:37] that offers a perspective that may shift

[1:40] how you see dying. I mean, it's one of

[1:43] these things we all will eventually do

[1:45] and we're so afraid to talk about it.

[1:48] And so, this is such an important talk.

[1:52] So, if this episode stirs something in

[1:54] you, we have an offering we'd like to

[1:57] share. There are a few thousand people

[2:00] right now gathering around this fire.

[2:03] There's stories of Ramdas and Maharaji

[2:06] and this legacy of love. It is our fall

[2:10] immersion and it's four weeks. It's all

[2:13] of the old sought song telling stories.

[2:17] It's the people that were there. It's

[2:18] the people whose lives were changed and

[2:20] it helps us carry this ember forward. So

[2:25] come gather in community. Open your

[2:27] heart. Bask in this spirit of loving

[2:30] awareness. It's free. It's nourishing.

[2:33] And it's the kind of gathering Ramdos

[2:35] would have loved. Check it out.

[2:37] Ramdas.org/fire.

[2:39] And with that, here is this week's

[2:42] episode. Here's Ramdos here and now.

[2:49] [music]

[2:50] This is Ramdas

[2:53] and the show is called Here and Now with

[2:55] Ramdas.

[2:57] >> [music]

[3:04] >> Maharaji was sitting with a group of

[3:05] people and um

[3:09] a man appeared very excitedly at the

[3:12] gate and Maharaji screamed before the

[3:15] man even came into sight.

[3:18] I know what you want. I know he's dying.

[3:20] Tell him I won't come.

[3:23] And the man came in. He and he was the

[3:25] servant of one of Maharaji's devotees,

[3:29] a wealthy devote I guess. And he said,

[3:32] "But Maharaji, how did you know?" He

[3:34] said, "The man just had a heart attack

[3:36] and the doctor says he's near death and

[3:37] he just sent me running over here."

[3:40] They always underestimate Maharaji and

[3:43] um he said and he said he just wants to

[3:47] see have you with him you know. Maharaji

[3:50] says no tell him I won't come. Tell him

[3:52] I won't come. Maharaji if you would just

[3:54] come I'm sure it would be all right. Nay

[3:59] and Maharaji said here give him this

[4:02] banana.

[4:04] So it was like the mango you know

[4:06] everybody figured

[4:08] the banana will heal a man and they

[4:10] rushed back and they mashed up the

[4:12] banana and they pushed it in between his

[4:14] lips and he ate the entire banana and he

[4:17] died.

[4:19] I neglected to say the line that

[4:21] Maharaji said, "Give him this banana and

[4:23] he'll be all right." Okay, which he was.

[4:32] Maharaji was walking with one of his

[4:34] devotees and suddenly he looked up in

[4:36] the up and he said, "Oh, ma so and so

[4:40] just died." This old devote woman in a

[4:43] little village many miles away. He said,

[4:45] "Oh, she just died." And he laughed and

[4:48] laughed and laughed.

[4:50] And the man said to him who was a very

[4:52] old friend been with Maharaji for maybe

[4:55] 40 years as a devotey said, "You

[4:58] butcher, what are you laughing about if

[5:00] she just died?"

[5:02] And Maharaji said to him, "What would

[5:05] you like me to do? Make believe I'm one

[5:06] of the puppets?"

[5:09] Right? Do you really want me to get lost

[5:11] into the drama? Is that what you want?

[5:13] You want me to play? Right.

[5:19] Some years ago

[5:23] I had a student who um

[5:28] it's very beautiful boy and he um

[5:32] he just come to me now and then to sort

[5:34] of do sadna and everything I taught him

[5:36] he did better than I did.

[5:40] and he went off into a cave in Arizona.

[5:44] And um the next thing I heard, he had

[5:48] died.

[5:51] And um I was a little confused about

[5:54] what had happened, whether I had taught

[5:56] him wrong or I had not perceived some

[5:58] danger.

[6:01] But later it turned out that um he had

[6:04] taken um some LSD

[6:08] and uh gotten very paranoid about

[6:11] something that had come up in his

[6:13] relationships. And he had gone into his

[6:16] um cabin and done very intensive

[6:19] pranayyam which plus the LSD

[6:23] was an ego trip. the way he did it and

[6:26] he burst his u blood vessels of his

[6:29] heart

[6:30] and he died.

[6:33] So when I heard that I thought well

[6:36] that's like suicide.

[6:41] Now his mother didn't know how he had

[6:42] died and she came to me with his diary

[6:47] and he had written a letter to her at

[6:49] the end the last time before he did that

[6:51] final pranayyam.

[6:55] See, they found him with blood on the

[6:57] wall from his nose and all. And I

[6:59] assumed that that wasn't didn't sound

[7:02] like samadei to me, but his mother came

[7:04] to me and she said, "My son left his

[7:08] body. He went into Maha Samadei." And he

[7:11] got completely enlightened.

[7:14] And he had written a diary. He had said,

[7:15] "Dear mother, though I'm leaving you in

[7:18] the body now, I won't leave you. I am

[7:20] now with Christ. Christ is here with me.

[7:23] I'm going into Christ. I will always be

[7:25] with you.

[7:27] Don't ever worry. Sign love, Tony.

[7:33] So the mother and I talked for a while

[7:35] and she was pretty hysterical about the

[7:37] whole thing but strongly believed that

[7:39] and she knew nothing about the LSD. And

[7:42] so then she said to me, "You're going to

[7:45] India in a few months." This was in

[7:47] 1970.

[7:48] Uh would you ask your guru about my son?

[7:52] Sure. So I took a picture with me of

[7:54] Tony

[7:57] and at the appropriate moment I took out

[7:59] the picture and I handed it to Maharaji.

[8:01] Maharaji said it was a high school

[8:03] graduation picture or something.

[8:04] Maharaji looked at it and he said oh

[8:06] he's he left his body. I said yeah.

[8:12] He said um

[8:15] he took medicine meaning the LSD. I said

[8:18] yeah.

[8:22] I said, ' That's what I thought. Like

[8:25] it's an ego trip and suicide my whole

[8:27] mind. He said, 'N. He said, um, he

[8:31] finished his work.

[8:34] He said, uh, he's with Christ.

[8:38] He said his mother shouldn't worry. He's

[8:41] always with her.

[8:53] If you ever go to Banaris

[8:56] Barnasi, Kashi,

[8:59] different names,

[9:03] it's a very awesome experience because

[9:05] there are literally

[9:08] thousands and thousands of

[9:11] beings in the

[9:16] um in the streets.

[9:18] who are nothing more than skin and

[9:21] bones. Many of them are lepers. They are

[9:24] cancerous in various ways. They are

[9:27] deformed

[9:30] and um they sit with their begging bowls

[9:32] in rows near the burning gut and most of

[9:36] them have affixed to their loin cloth a

[9:39] little um few rupees which is enough for

[9:42] the wood for the funeral fire for their

[9:45] funeral fire. And uh at the gut or at

[9:48] the um

[9:51] at the river edge of the Ganes there is

[9:54] a platform where for thousands of years

[9:58] there have been continuous fire and

[10:00] there are the bodies are being burned

[10:02] and uh then the remains are thrown into

[10:06] the Ganjis river

[10:11] and all of these people have come to

[10:12] Bonaris to um to drop their bodies

[10:15] because it's a very apic ious place to

[10:17] do that

[10:19] and their eyes have a very um great

[10:21] radiance about them.

[10:24] And when I first went to India, before I

[10:26] understood

[10:28] or had a sense of the spiritual

[10:34] uh significance of this place,

[10:38] I went through the streets full of pity

[10:40] for all these people

[10:42] and I got very disoriented because they

[10:45] were looking at me with what I

[10:47] experienced as pity

[10:49] and that seemed unbelievable to me

[10:51] because I was healthy and wealthy And

[10:54] you know, uh, they were sick and weak

[10:57] and yet they were looking at me with

[10:59] pity and they were right here. They were

[11:01] so right here that I couldn't handle

[11:03] their right hearness and I went home to

[11:06] the hotel and I hid.

[11:08] Um, this I was taking a lot of drugs at

[11:10] that time and I was high on something

[11:14] and that might have exacerbated the

[11:16] paranoia but I suddenly felt definitely

[11:19] confronted by their intense presence.

[11:23] And later after I'd been in the temple

[11:24] for a while and I began to understand

[11:26] what that was about, I went back

[11:29] and I began to understand what their

[11:32] pity was about. Here I was roaming

[11:36] around the world lost in sansar

[11:39] sanssara.

[11:41] And they were people who were clear.

[11:43] They knew that they had spent their

[11:46] whole life getting ready for the moment

[11:48] of death. And at the moment of death,

[11:51] they knew that if they were burned on

[11:54] that got with the purity of their own

[11:56] heart, that would call forth Shiva

[12:01] who would come and who would breathe the

[12:03] name Ram into their ear

[12:06] and they would be liberated at that

[12:08] moment.

[12:10] And beings that had third eye vision can

[12:13] see that whole process going on around

[12:15] the gut. They can see these beings.

[12:19] When Maharaji died,

[12:23] when he left his body, there was a fire

[12:25] in the temple compound and um one of the

[12:30] devotees, all the rest of them were very

[12:32] uh distraught having lost the guru and

[12:35] the physical form.

[12:37] One of the devotees all night long was

[12:40] in ecstasy singing at the top of his

[12:42] lungs right by the fire. Sithar Ram Shri

[12:46] Ram J Ram JJ Ram just in ecstasy and

[12:50] everybody felt that the emotion had been

[12:51] too much for him and he had flipped out

[12:54] and the next day when they asked him

[12:57] what happened he said well didn't you

[12:58] see it he said Maharaji was sitting up

[13:03] smiling laughing and Rah was pouring

[13:07] ghee clarified butter over his body so

[13:10] it would burn faster and all the davas

[13:13] and angels uals were graining flowers

[13:15] down from above, right? And his vision

[13:19] was clear and he saw that. No one else

[13:22] others, one old lady saw Maharaji get up

[13:26] on his elbow and look at her and go like

[13:28] that, you know, right

[13:33] now. whether or not that the trauma of

[13:36] the loss of a guru

[13:40] caused that person to hallucinate or

[13:42] whether they went into a plane of

[13:44] consciousness where they saw how it is.

[13:47] From where I'm sitting, I suspect it was

[13:49] the latter.

[13:51] I think we tend to get very caught in

[13:53] our

[13:58] our um egocentric predicament about our

[14:02] plane of reality as being more real than

[14:05] it appears to be. Finally, it's just

[14:08] moving from one dream plane to another.

[14:12] But it's very clear that the moments the

[14:16] approach of death

[14:19] can be a profound

[14:23] condition for spiritual work.

[14:29] In fact, looked at from one point of

[14:31] view, one's entire life is a preparation

[14:35] for dying.

[14:37] And the way the work you've done in this

[14:40] lifetime will determine how conscious

[14:44] you are at the moment of death.

[14:48] At the moment when you can not cling

[14:50] back to earth, but to go forward, leave

[14:54] your body, let it go, and just go

[14:57] towards and into the light.

[15:00] in um

[15:04] Huxley's book Island is a very beautiful

[15:08] um

[15:10] description

[15:11] in which the doctor is sitting with his

[15:14] wife. Aldis, this was Aldis' blueprint

[15:17] for his own death that he wrote in this

[15:20] book. And actually when he died, Lara

[15:23] sat by his bedside and Aldis took LSD.

[15:27] And then Aldis wrote on his pad, I don't

[15:30] feel any feeling in my thighs. I don't

[15:32] feel and he just watched himself leave

[15:35] his body just very conscious. Aldis had

[15:37] this kind of uh delight in the play of

[15:41] God. All this once said to me in

[15:45] Copenhagen, we were at a conference

[15:46] together and he said, "Don't you

[15:48] appreciate that the reason people are so

[15:49] attracted to diamonds and rubies is

[15:51] because they remember the astral plains

[15:53] where those were all pebbles, right? And

[15:56] that's what the planes were like. And

[15:57] it's just the memory that's pulling them

[15:59] that makes those things so precious.

[16:03] But he wrote this beautiful way in which

[16:06] the doctor was helping his wife at the

[16:09] final moments of her life. And he said,

[16:12] "Lightly, my darling, lightly,

[16:15] even when it comes to dying, nothing

[16:18] ponderous or portentious

[16:22] or emphatic,

[16:24] no rhetoric,

[16:26] no tremolo,

[16:28] no self-conscious persons putting on its

[16:31] celebrated imitation of Christ or Gerta

[16:35] or little Nell."

[16:38] And of course, no theology and no

[16:40] metaphysics.

[16:41] Just the fact of dying and the fact of

[16:44] the clear light.

[16:46] Throw away your baggage and go forward.

[16:50] There are quick sands all about you,

[16:52] sucking at your feet, trying to suck you

[16:55] down into fear and self-pity and

[16:58] despair. That's why you must walk so

[17:00] lightly.

[17:03] The light came the horse whisper. The

[17:07] clear light. It's here along with the

[17:11] pain. In spite of the pain.

[17:14] And where are you?

[17:17] Over there in the corner. I can see

[17:20] myself there. Brighter, brighter.

[17:25] A smile of happiness intense almost to

[17:27] the point of elation transfigured her

[17:30] face.

[17:32] Through his tears, Dr. Robert smiled

[17:34] back at her.

[17:37] So now you can let go, my darling. He

[17:39] stroked her gray hair. Now you can let

[17:42] go, he insisted. Let go of this poor old

[17:46] body. You don't need it anymore.

[17:50] Let it fall away from you.

[17:53] Leave it there like a pile of worn out

[17:55] clothes. Go on. Go on into the light,

[18:00] into the peace,

[18:03] into the living peace.

[18:06] of the clear light.

[18:11] Now the karma that we have accred

[18:16] over many lifetimes

[18:19] as we start to awaken in the middle of a

[18:22] lifetime

[18:23] not after death but in the middle of a

[18:25] lifetime

[18:27] like we are doing here.

[18:30] Then we start to live our lives

[18:32] consciously

[18:34] in such a way that we don't create new

[18:36] karma. But the old karma keeps running

[18:39] off and it may run off for many

[18:42] lifetimes.

[18:43] Right?

[18:45] And even though you've prepared yourself

[18:47] right up to the moment of death so that

[18:50] you're ready to keep God in mind as you

[18:52] die,

[18:54] at the moment when the ego structure

[18:58] starts to disintegrate

[19:01] and there is what is called the review

[19:03] or seeing your life flash before you and

[19:06] all the events that have happened in

[19:09] your life and the way in which you have

[19:11] loved or hurt or whatever you've done

[19:16] and pass all of it.

[19:19] There is whatever karma is left will

[19:22] grab at that point and that grabbing

[19:26] will start to determine what your next

[19:28] work is in your next breath.

[19:34] So that you can anticipate that although

[19:36] you get yourself very clear and very

[19:39] ready and very open and very flowing,

[19:42] you don't necessarily wipe out all your

[19:44] karma,

[19:46] you may still have more work to do.

[19:49] But the difference is that when you die

[19:52] consciously

[19:56] openly going towards it,

[20:02] there is no karma created by the death

[20:05] process itself.

[20:07] For the clinging to life at the moment

[20:09] of death,

[20:11] that yearning keeps creating life after

[20:14] life after life after life. And it's at

[20:17] the point where you let go of physical

[20:20] plane existence

[20:21] that you can start to get on with it in

[20:24] terms of other work you have to do.

[20:27] When Mahatma Gandhi was dying, he walked

[20:29] out into his yard. An assassin shot him

[20:33] three times. Our images of assassins in

[20:36] America.

[20:38] Think of Kennedy brothers, Martin Luther

[20:40] King.

[20:42] And always there's horror and violence

[20:45] connected with it. And we see we imagine

[20:49] if we can the moment that somebody shot

[20:52] that they are stunned or confused.

[20:57] Gandhi had just as much time as any of

[20:59] the others when he's shot and as he shot

[21:02] as he falls over he just says Rahm

[21:07] just he goes out on the name of God.

[21:10] He's ready for his death.

[21:12] Because every moment of life is the

[21:14] moment of death. And when you are deep

[21:16] enough into like vipasana meditation and

[21:19] you see thought being created, preserved

[21:23] and destroyed, you see the universe

[21:27] being born and dying over and over again

[21:30] with all your thoughts. And you see that

[21:32] life is a series of many deaths

[21:35] and rebirths. The whole process you see

[21:38] as death and birth, not only seasons but

[21:42] thought forms and the universe as you

[21:44] create it.

[21:48] It's just a week ago that um or a week

[21:52] ago last Monday that one of the students

[21:55] that we that we've been working together

[21:57] in New York died

[22:01] and I was by his bedside as he died

[22:05] and I came away from that so enriched.

[22:11] The moment was so beautiful.

[22:15] The release was so easy.

[22:21] He just kept letting go and letting go

[22:24] and letting go. There was no grabbing,

[22:27] no holding, no panic, no fear.

[22:31] You're just holding hands, rubbing his

[22:34] brow, just whispering to him, "Go to the

[22:36] light. Let go. We're here. It's okay.

[22:40] You can let go. This body isn't going to

[22:42] be much use to you now. Go ahead, Ray.

[22:44] It's okay. And the trust was complete

[22:48] and he just flowed outward and you could

[22:51] feel the being leaving the body. Then

[22:54] there was this body here and for a

[22:55] little while there are some pulses in

[22:58] the neck and so on and then it just

[23:00] quieted and it was over and Raymond was

[23:04] free

[23:06] and we were free. There was no grabbing,

[23:09] no clinging, no panic, no pain, nothing.

[23:12] that was just floating outward. And the

[23:14] nurses stood around and they were very

[23:19] touched by that moment.

[23:21] One of the nurses said, "I hope when I

[23:23] die I'm surrounded by that kind of

[23:25] love."

[23:32] The process you are involved in here

[23:36] is the process of dying.

[23:41] Not necessarily at this moment your

[23:43] physical death though some of you may be

[23:45] dying physically ready getting ready to

[23:47] drop your bodies

[23:50] but you are in the process of having the

[23:53] way in which you know yourself die.

[23:58] Lest you die and be reborn you cannot

[24:02] know the kingdom of heaven.

[24:05] This is a death seminar in a strange

[24:09] way.

[24:11] And a lot of the anxiety and panic and

[24:14] symptoms and tension a lot of you are

[24:18] feeling is because it's very hard to die

[24:24] because there is much clinging to who

[24:26] you know yourself to be.

[24:29] Many of you come up to me and say I'm

[24:31] confused. I don't know who I am. And I

[24:33] say wonderful.

[24:35] All right.

[24:37] because you are in the process of dying.

[24:42] And what appears to me obvious now is

[24:46] that our relationship with physical

[24:49] dying

[24:51] must become much more intimate.

[24:56] For the culture is now ready, it seems

[24:59] to me, to begin to bring the process of

[25:02] physical death out from under wraps.

[25:07] and to treat it more consciously as it's

[25:10] beginning to do the process of birth

[25:13] for these in India these are all natural

[25:15] processes most of them they happen in

[25:17] the homes you are born and you die in

[25:20] home

[25:23] and perhaps we are starting there are

[25:26] movements in America now to make dying

[25:28] much more humane

[25:31] and that's the beginning of this process

[25:34] the work of hospitals like hospice or

[25:36] gather groups like hospice.

[25:42] There is a a tremendous interest now in

[25:45] the process of dying

[25:48] and a great deal of it is due to the

[25:51] work of one woman Dr. Elizabeth Ross

[25:56] whose books have described the stages

[25:59] and processes people go through in

[26:01] dying.

[26:05] From the moment you find out that you're

[26:07] going to die

[26:09] and there is denial and then there is

[26:12] anger and then there is bargaining.

[26:17] You try to bargain for it. if I take the

[26:19] medicine will I get better and then

[26:21] there's depression

[26:24] and then either a person lets go and

[26:26] accepts

[26:29] or they go into a

[26:34] state of sort of resignation

[26:37] and it's that acceptance that opens them

[26:39] in a certain way that makes it possible

[26:42] for them to do the kind of work you're

[26:45] doing now. Death is the trauma for most

[26:49] people that allows them to be sitting in

[26:52] this room at this moment.

[26:54] And you're sitting in here without

[26:56] having to have a trauma to do it. That's

[27:00] because of the nature of your

[27:02] incarnation.

[27:08] Recently I had the opportunity to spend

[27:10] an evening on death row at San Quentin

[27:13] talking to each of these men one at a

[27:15] time and then leading a meditation. The

[27:18] meditations were no less high than the

[27:21] meditations we are sharing this week

[27:27] on a death row in which they're all in

[27:29] segregated cells.

[27:32] But the imminence of death

[27:35] created the conditions that allowed them

[27:37] all to be innocent once again.

[27:42] And we got so clear and so high that at

[27:47] one moment we were sending out loving

[27:49] kindness meta blessings of peace and

[27:52] light to all beings who suffer

[27:56] from San Quentin death row. And at that

[27:59] moment, we forgot we were on death row

[28:03] because we were just a group of souls

[28:05] gathered together to share the light.

[28:13] And visiting them was like visiting

[28:15] monks in a Tibetan monastery

[28:18] in their cells.

[28:22] And on the walls were pictures of Jesus

[28:24] and

[28:26] mandalas. And they had books by Alan

[28:29] Watts and yoga books in the Bible. And

[28:32] they were getting ready. And we have

[28:35] yoga teachers teaching in San Quentin.

[28:39] Steve's involved in that work right

[28:41] here.

[28:45] And a lot of what the Hanaman Foundation

[28:47] does that's sponsoring this retreat is

[28:50] connected with prisons

[28:53] try to say use your time to become more

[28:56] conscious.

[29:00] Use your dying to become more conscious

[29:02] says the Hanaman Foundation's project

[29:05] and dying.

[29:10] And there may come a time when we will

[29:12] have a place, a space where people can

[29:16] come to die intentionally,

[29:19] consciously,

[29:21] surrounded by people like you

[29:25] who aren't so freaked by death that you

[29:28] don't surround the person with an ocean

[29:30] of denial.

[29:39] There are many meditations on death.

[29:42] The most vivid one is the Buddhist

[29:44] meditation on death in which in the old

[29:47] days when the bodies were left in the

[29:49] cemetery unburied,

[29:52] the monks would go into the cemetery and

[29:54] meditate

[29:56] and they would meditate on the corpses

[29:59] in different states of decomposition

[30:04] and realize that that was their body.

[30:07] the swollen corpse, the bloated corpse,

[30:10] the flyinfested corpse, the bleeding,

[30:13] the broken corpse, the skeleton,

[30:15] and they would sit before it and

[30:17] meditate upon it.

[30:22] When you can sit with somebody that's

[30:24] dying [clears throat] and not be so

[30:26] preoccupied with their dying, I'll tell

[30:28] you a very beautiful image that you get

[30:31] a feeling for. A few weeks ago, I was

[30:34] with Elizabeth Ross at a workshop she

[30:37] was giving undying in Colorado Springs,

[30:40] and there was one woman there who

[30:42] presented the following image.

[30:47] I I don't have it exact, but it's close

[30:49] enough. She said, "Imagine that you came

[30:51] to visit a woman in the hospital. She

[30:54] was 28 years old

[30:57] and she had three children

[30:59] and she was dying of leukemia. What

[31:02] would you feel

[31:05] as you walked into the hospital room?

[31:10] >> Huh?

[31:15] >> What?

[31:15] >> Pity.

[31:16] >> Pity.

[31:19] >> Pity of all people around.

[31:21] >> Pity of the people around her.

[31:24] >> Just say it.

[31:26] >> Anger. Worry.

[31:27] >> Helplessness.

[31:28] >> Helplessness. What?

[31:30] >> Injustice.

[31:32] sadness, misunderstanding, love,

[31:35] compassion. Okay,

[31:38] now imagine that you are the 28-year-old

[31:41] woman

[31:43] and everybody that walks into the

[31:45] hospital room is full of these

[31:46] reactions.

[31:51] There's nobody there with you.

[31:55] Everybody's reacting to your condition.

[31:59] Do you hear that beautiful, very, very

[32:02] powerful image? Everybody's reacting to

[32:05] your condition. Nobody hears you.

[32:10] And to be able to say to somebody,

[32:13] right, your body is decaying. It's

[32:15] you're going to drop your body. And here

[32:17] we are.

[32:19] Here we are.

[32:24] I remember when my mother was dying, I

[32:26] said to her, she said, 'What do you

[32:27] think death's about, Rich? I said,

[32:30] 'Well, I don't know. I said, 'Obviously,

[32:32] your body is decaying. It's It's on its

[32:34] way, but you and I seem to be in the

[32:37] same space we always were.

[32:40] I don't think it has much to do with

[32:42] your body.

[32:45] I said, I think you're going to drop

[32:47] your body, but I don't think you and I

[32:48] are going anywhere. I think we're going

[32:49] to be together.

[32:53] And we certainly were

[32:58] at her funeral. She was certainly

[33:00] present and enjoyed it thoroughly.

[33:03] [laughter]

[33:05] I had to keep shutting her up.

[33:12] I've got to tell you one story. She did

[33:13] just one really very rascally thing. I

[33:17] think and there's such black humor in

[33:20] it. Incredibly black humor.

[33:24] Every anniversary

[33:26] my mother and father exchanged one red

[33:28] rose

[33:30] and along with whatever gifts they gave,

[33:32] but it was a token of their love. They

[33:34] had had been married 40

[33:37] 40 odd years, 41 or two years.

[33:42] So on the casket was a blanket of red

[33:44] roses which is common. And as the casket

[33:48] was being wheeled down the aisle of the

[33:51] temple when it came a breast of the

[33:54] front row in which the family mourers

[33:57] were which was my brother, my father, my

[34:00] two brothers, sister-in-laws and me.

[34:05] One red rose fell off the blanket and

[34:08] fell at my father's feet.

[34:11] And the the man pushing the casket

[34:13] didn't notice it and he kept right on

[34:14] going. And our eyes were all glued on

[34:17] this rose because we all knew the story,

[34:19] right? Nobody said a word, of course.

[34:22] And ceremony is over. My father bent

[34:24] over and picked up the rose. We went

[34:26] out. We sat in the limousine. People

[34:30] coming to the window and he held the

[34:31] rose.

[34:33] Nobody would say anything.

[34:36] Now my father is a very

[34:40] um

[34:43] a person who has primarily been

[34:45] concerned with material things. He's a

[34:49] uh in other words his world has been

[34:52] when you're dead you're dead.

[34:54] My older brother is a stock broker and

[34:56] that's his world also. So with my

[34:59] sister-in-laws,

[35:00] but I had a brother who had um

[35:05] gone into other plains of consciousness

[35:07] and he was convinced that he was Christ.

[35:10] So he was in the car and then there was

[35:12] me.

[35:14] A peculiar lot for a limousine, you

[35:16] might say. An odd odd lot of beings

[35:21] to be incarnated together in a limousine

[35:24] with a rose.

[35:26] And of course it was my brother Christ

[35:28] who said [laughter]

[35:31] I guess mother sent you a final message

[35:35] and everybody agreed. That's far out.

[35:37] Everybody in the car agreed. You see

[35:40] they wouldn't have agreed to that you

[35:42] know ever except the emotions of the

[35:44] moment opened them all and they all

[35:46] agreed and my father's next words were

[35:48] we've got to save the rose. Right? So

[35:52] then became a desperate issue of how to

[35:56] preserve this rose

[35:59] and it people had to be called long

[36:01] distance and there was a whole

[36:02] production to get this process where

[36:04] they put it in a liquid glass thing so

[36:07] the rose would be preserved forever.

[36:11] That's the material part of it, right?

[36:14] The problem was that the process didn't

[36:16] quite work and slowly the coloring came

[36:18] out of the rose and the water all turned

[36:20] this kind of muddy dark water and this

[36:23] thing was on the mantle piece right this

[36:25] this rose [laughter]

[36:26] and after a few years my father uh met

[36:30] this wonderful woman and I gave the

[36:32] bride away and helped carry her across

[36:34] the threshold. We each took a leg,

[36:35] right?

[36:37] And uh now what to do with this thing?

[36:40] You see, I mean this rose which this

[36:42] actually it was a ball of dark muddy

[36:44] water by then, right?

[36:47] You couldn't throw away mother's last

[36:49] message at this point, right? So it went

[36:52] into a case in the back of the garage

[36:54] which you hold for important things of

[36:57] great significance that you

[37:00] and it's still being put away. It's

[37:03] interesting. It's being always put away.

[37:05] To me, the humor of the way in which one

[37:08] clings, one clings rather than letting

[37:12] go. The clinging rather than the letting

[37:13] go. And how macab macab macab the

[37:18] clinging gets right all the time.

[37:24] I can imagine a uh

[37:31] [sighs]

[37:32] I wouldn't create it with my mind

[37:34] because then it'll have to happen not

[37:36] like Martin Luther King I have a dream

[37:39] uh but I could imagine just I could

[37:42] imagine an ashram

[37:45] in which this kind of process that we're

[37:47] involved in goes on every day. Okay. And

[37:50] in which included right in it is a large

[37:55] center for people to come in order to

[37:58] leave their bodies. And that you people

[38:02] part of your livelihood and part of your

[38:05] work is in caring for these beings and

[38:09] they're feeding you and you're feeding

[38:11] them.

[38:13] And everybody's in the process of going

[38:14] to God. And dying is merely one of the

[38:17] vehicles of doing it just as chanting

[38:19] is. And chanting is no bigger deal than

[38:21] dying is. These are all exercises for

[38:25] becoming more conscious.

[38:27] And I think that it's important in

[38:29] thinking about dying to put it into

[38:31] perspective

[38:32] of spiritual work. Not to elevate it so

[38:36] much into dying, but to see it as merely

[38:40] processes of spiritual an exercise in

[38:44] spiritual awakening.

[38:46] Okay.

[38:49] Okay, that's enough of that. See if

[38:52] there's any.

[38:54] [clears throat]

[38:55] I just read you a delightful thing. A

[38:57] lot of people ask about heaven and hell.

[39:01] A soldier named Nobashigi came to Hakwin

[39:05] and asked, "Do heaven and hell really

[39:07] exist?" "Who are you?" inquired the

[39:10] master. "I am a samurai," the warrior

[39:13] replied. "You a samurai?" Hakowan

[39:15] exclaimed. What kind of ruler would have

[39:18] you as his guard? You have the face of a

[39:20] beggar.

[39:22] No Bashiki became so angry that he

[39:24] reached for his sword. But Hawwin

[39:26] continued, "So you have a sword?" "Well,

[39:29] your weapon is probably much too dull to

[39:31] cut off my head."

[39:34] As Nobigi drew his sword, Hakuan looked

[39:36] right at him and exclaimed, "That is

[39:39] hell."

[39:41] Sheathing his sword, the samurai bowed

[39:43] with great humility and respect. And

[39:45] this, Hakuan announced, is heaven.

[39:54] Now that you are watching your minds and

[39:58] seeing a little bit about how your mind

[40:00] keeps creating your stuff, you begin to

[40:04] understand what the creation of hells

[40:06] and heavens are about.

[40:11] And even the plane which is called

[40:14] eternal damnation

[40:16] is a plane in which your mind creates a

[40:19] model that you are in eternal damnation.

[40:24] And as long as you try to get out of it,

[40:29] push against it, it goes on. And the

[40:32] minute you say, "Okay, I'm damned for

[40:34] eternity and here I am." As long as you

[40:37] put space around it and be mindful of

[40:39] eternal damnation, it's just another

[40:42] trip.

[40:43] All right? As long as you denied it, it

[40:45] clung. So it is with all the rest of

[40:47] your stuff.

[40:50] Planes, dying, living, it's all the same

[40:52] stuff.

[40:56] The Ramdos here and now podcast is

[40:58] [music] brought to you by Be Here Now

[41:00] Network and romdos.org.

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Be Here Now Network is the creator of Heart Wisdom with Jack Kornfield, a podcast exploring consciousness, spirituality, and personal transformation. With 313 episodes, they have c…

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In this 1976 retreat talk, Ram Dass argues that dying is one of the vehicles by which everyone is moving toward God, no bigger a deal than chanting. He frames it as an exercise in spiritual awakening rather than something to elevate into a fearful event. The approach of death, he says, can be a profound condition for spiritual work.
Maharaj-ji refused to go to the bedside of a wealthy devotee who had suffered a heart attack and was near death, and instead sent a banana with the messenger. The man ate the banana and died, and Ram Dass notes that Maharaj-ji had said he would be all right, which he was. The story is used to show how differently a guru and the people around a dying person may read the same situation.
In the story Ram Dass tells, Maharaj-ji laughed when he learned an old devotee had died, and when a long-time friend objected, he asked whether he should pretend to be one of the puppets. The point is that he refused to get lost in the drama of the world. Ram Dass presents this as a refusal to treat the appearance of things as more solid than it is.
Ram Dass describes Varanasi as a place where many sick and dying people come to die on the Ganges, sitting near the funeral fires with their begging bowls. He first felt pity for them, then realized they were looking at him with pity because they were clear and had prepared their whole lives for death. He contrasts that clarity with his own state of being lost in samsara.
Tony was a young student who took LSD and did intense pranayama in an Arizona cabin, and he died after bursting blood vessels in his heart. His mother believed he had entered samadhi, citing his diary letter saying he was with Christ. Maharaj-ji told Ram Dass that Tony had finished his work and that his mother should not worry.
Yes. This talk was given during a retreat on June 17, 1976, and was released by the Be Here Now Network as Here and Now Podcast Episode 314. The channel notes the recording was rough and was cleaned up by its archivists.
Ram Dass says that chanting and dying are both exercises for becoming more conscious, and that chanting is no bigger deal than dying. He asks listeners to see dying as spiritual work rather than elevating it into something separate. The comparison places death within the ordinary discipline of awakening.

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